The dominant tuning
E13 is built on a dominant seventh. Its six strings, B D E G# C# E from the low string up, hold E, G#, B and D, an E7 chord, plus C#, the thirteenth. Struck open they ring as E7 with the thirteenth added, or, read from C#, as C#m7 with a flat ninth. Both names fit the same six notes, and the table gives both.
It is the tuning on this site where the bar finds the most: seventeen chord types to C6's eight. It keeps the major and minor triads, the sixth and the minor seventh, and adds the dominant seventh, the thirteenth, the diminished triad and the minor sixth, among others.
The cost is the retune. Five strings move from C6; string 4 moves furthest, three semitones down from G to E, and only string 1 stays on E.
Which E13
More than one six-string row travels under the name. This page publishes B D E G# C# E, the row two independent sources print. Others place the C# or the D differently, but every E13 row the sources print carries the C#, the thirteenth the tuning is named for.